Eames Lounge & Ottoman
Charles and Ray Eames conceived of this exceptionally comfortable chair as the 20th-century American answer to the Edwardian English Club Chair. The Lounge Chair stands out among their work for its un
Nelson Spindle Clock
As part of George Nelsons collection of oversized clocks designed from 1955 to 1958, the Spindle Clock (1957) is a mastery of craftsmanship and precision, newly reissued by the Vitra Design Museum. S
Sussex Credenza
Inspired by the shingled, angled roof of an English cottage, this four-door credenza (2000) exhibits dramatic form mixed with functional elements. Four louvered doors are beautifully integrated into t
Par 4 Table – All Wood Top
With its low, compact form, the Par 4 resembles a Japanese chabudai one moment and assumes the elegant, multiplaned outline of a Mondrian painting the next, exemplifying versatility and imagination. T
Lance Dining Extension Table
With its unique form and extension mechanism, the Lance Table (2001) succeeds in comfortably seating up to eight people without crowding or alienating anyone. By extending widthwise instead of lengthw
Nelson Eye Clock
Twice the scale of George Nelsons earlier clock designs, the Nelson Eye Clock (1957) constitutes part of the designers iconic collection of oversized clocks, newly reissued by the Vitra Design Museu
Eames Storage Unit – 2×2
The concept of modularity wasn’t in the popular lexicon when Charles and Ray Eames designed their innovative Storage Units (1950) that can be configured to fit a space or need. Suitable for office and
Coral Pendant
The Coral Pendant (2004) is the result of two influences: the repeating patterns of ice crystals David Trubridge saw in Antarctica and the similar patterns he saw in underwater coral. Such inspiration
Nut Pendant
Lending an uncommon lightness and dynamic form to wood veneer is the Nut Pendant Lamp (2002) by Ray Power. By applying a thin sheet of natural cherry or white ash veneer over a polyester film backing,
Noguchi Table
Following his apprenticeship with the legendary Constantin Brancusi, sculptor Isamu Noguchi began to experiment in environmental design, theatrical sets and later, product design. Noguchi created his