Primary Pouf
The Primary Pouf is a seating and side table solution for any environment, from Utopian to utilitarian settings. Designed by the same award-winning company that provided Rem Koolhaas’s Seattle Public
Mag Table
Casting a new light on modern bentwood furniture, the unique Mag Table is formed by a continuous sheet of contoured wood, creating a sleek profile thats at home in any setting. It offers an inexpens
Toto Cube Lamp
Whether placed bedside to provide a soft glow, used to dine on or used in a retail setting to display small objects, the Toto Cube Lamp (1996) functions dually as a lamp and a safe, washable table sur
Low Rack Side Table
Maurizio Peregallis Low Rack Side Table epitomize the kind of simple, straightforward sophistication that is equally at home among precious antiques as among mid-century icons. Made of finely crafted
Venezia Chair
Designer Paolo Favaretto has created a uniquely shaped chair back that simultaneously embraces and angles away from the user. The Venezia Chair (2006) doesn’t appear to be an armchair, but when you ar
Noguchi Prismatic Table
A former apprentice to Constantin Brancusi, midcentury master Isamu Noguchi was no stranger to working with metal. The aluminum Prismatic Table (1957), the last piece of furniture that Noguchi designe
Pankotto Stool
The Pankotto Stool puts the rigor and practicality of polypropylene to use in its sturdy, weather-resistant design. A smooth texture and rounded edges make it especially comfortable for casual seating
Saarinen Side Table – Coated Marble 1
With the aim of designing furniture defined by sculptural, holistic structures, Eero Saarinen produced the Tulip Side Table as part of his iconic pedestal collection (1956). Crafted of a heavy aluminu
Nexus Storage Cube
The Nexus Storage Cube serves as a stool, ottoman and side table as well as a mobile storage container. Its clean, geometric form contains a fully lined hollow interior for holding blankets, magazines
Luisa Side Table
The inspiration for this design emerged during lunch at the home of Enrico Fratesi’s grandmother, Luisa. For Fratesi, the fact his grandmother’s furniture was covered in plastic was no surprise, since