Cherner Side Chair
Norman Cherner is recognized as one of the most original of a generation of designers that explored post-war technological innovations in industrial design and architecture. His Cherner Chair (1958) i
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Norman Cherner is recognized as one of the most original of a generation of designers that explored post-war technological innovations in industrial design and architecture. His Cherner Chair (1958) i
In a 1956 cover story in Time magazine, Eero Saarinen said he was designing a collection to “clear up the slum of legs in the U.S. home.” Later that year, he completed his Pedestal Table and T
Philippe Starck’s Victoria Ghost Chair (2006), like her cousin the Louis Ghost, presented a significant manufacturing challenge for Kartell. Crafted from a single piece of injection-molded polycarbona
Who else but Philippe Starck would dare mess with a king? Reinventing the classic Louis XVI armchair for Kartell, the playful Louis Ghost Armchair (2002) is a postmodern triumph of technical innovatio
Named product of the Year at the International Interior Design Awards in 2000, Shin and Tomoko Azumi’s LEM Piston Stool reveals rigorous and original rethinking of the form and function of seating. Th
Look closely. The Compasso d’Oro Sidechair, designed by Enrico Franzolini, is not to be confused with the cheap plywood chairs flooding the U.S. market. It is every bit as well made as the Eames and J
Philippe Starck is building a house of ghosts. After the success of his Louis Ghost Armchair, Starck has now brought that same aesthetic daring to his Charles Ghost Counter Stool (2005). Another trans
DWR is pleased to present the latest refined and visionary design from
the Onda Stool (2006). The work of Stua founder Jess Gasca, the Onda Stool mimics the curves of the human body. By incorpo
George Nelson began with the legs when designing his Swag Leg Group (1958). He insisted that they be made of metal and machine formed, and discovered his solution in “swaging,” a method of using press
With the observation that “the underside of typical chairs and tables makes a confusing, unrestful world,” Eero Saarinen set out to distill modern dining designs into sculptural, holistic structures.