Orbit Sconce
Lending an uncommon lightness and dynamic form the Orbit Sconce (2002) was designed by Miguel Herranz. By applying a thin sheet of natural cherry or white ash veneer over a polyester film backing, Her
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Lending an uncommon lightness and dynamic form the Orbit Sconce (2002) was designed by Miguel Herranz. By applying a thin sheet of natural cherry or white ash veneer over a polyester film backing, Her
Expensive desks are typically designed as icons of power and status. But the Dordoni Worktop is different – it’s all about elegant function and ease. The angled table legs afford ample leg room for wh
Counterpoint is one of the defining textures of modernity: warm natural wood in contrast to cool industrial steel; sculptural organic curves juxtaposed with precise angles. Our cowhide floor covering
To outfit one of our most popular beds, the Leggero Six Drawer Dresser has been designed with the same planar minimalism and subdued wood surfaces as the Leggero Bed. Impeccably produced in Italy, it
Lending an uncommon lightness and dynamic form to wood veneer is the Nut Pendant Lamp (2002) by Ray Power. By applying a thin sheet of natural cherry or white ash veneer over a polyester film backing,
George Nelson’s Slat Bench is one of the great icons of mid-century modernism. For Herman Miller’s influential design director, utility was as important as beauty. His spare rectangular bench is proo
George Nelson’s Slat Bench is one of the great icons of mid-century modernism. For Herman Miller’s influential design director, utility was as important as beauty. His spare rectangular bench is pro
To outfit one of our most popular beds, the Leggero case goods have been designed with the same planar minimalism and subdued wood surfaces as the Leggero Bed. Impeccably produced in Italy, they are d
Much of Poul Kjrholm’s furniture was intended for his own home, located north of Copenhagen and designed by his wife, architect Hanne Kjrholm. His PK22 Easy Chair (1956) was inspired by the light, e
The Case Study Bed is influenced by the designs of the Case Study House program (1949) sponsored by John Entenza, editor and publisher of Arts and Architecture magazine. The Case Study Bed is uniquely