Bottega Stool
In early 2007, designers Renzo Fauciglietti and Graziella Bianchi expanded on the success of their Bottega Side Chair (2003) with the introduction of an Armchair and Stool. The Bottega Stool swivels 3
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In early 2007, designers Renzo Fauciglietti and Graziella Bianchi expanded on the success of their Bottega Side Chair (2003) with the introduction of an Armchair and Stool. The Bottega Stool swivels 3
Ludwig Mies van der Rohe’s Barcelona Couch (1930) was added to his Barcelona Collection in the year following the introduction of the Chair and Stool. Still produced to his original specifications, th
The Altus Fan accomplishes all of designer Ron Rezeks objectives in building a modern ceiling fan: it has minimal components to make assembly easier, it maximizes efficiency and has an economy of pro
Incorporating his signature stylized cross form, Ludwig Mies van der Rohes Barcelona Table (1927) expresses a clarity of form and materials that is immediately recognizable. The regal simplicity of t
A distinctive profile. A taut seat sling. Soft, thick cushions. In concert, they yield the Eames Soft Pad Chair (1969). Handsome and versatile, the Soft Pad Chair may be used in a variety of home and
Allow 10 business days for delivery. Exclusive to Design Within Reach.The Altus Fan accomplishes all of designer Ron Rezeks objectives in building a modern ceiling fan: it has minimal component
One of the first modular workspace designs (following George Nelson’s pioneering Storagewall), the Eames Desk and Storage Units (1950) have a spirit and versatility that many designers struggle to ach
In spirit and stature, Marcel Breuer’s Wassily Chair (1925) from Knoll has few equals. Believed to be the first bent tubular steel chair design, the Wassily Chair distills the traditional club chair t
Patricia Urquiola’s T Table (2006) for Kartell, is a collision of shatterproof plastic and organic form, or as the designer calls it, “a technological fossil.” The T stands for transgenic, which speak
The inspiration for this design emerged during lunch at the home of Enrico Fratesi’s grandmother, Luisa. For Fratesi, the fact his grandmother’s furniture was covered in plastic was no surprise, since