Swan Chair – Fame Fabric
Before the Swan Chair (1958), Arne Jacobsens architecture and designs were shaped by an assumption of materials natural ways of resisting. In other words, he could make them go only so far in becomi
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Before the Swan Chair (1958), Arne Jacobsens architecture and designs were shaped by an assumption of materials natural ways of resisting. In other words, he could make them go only so far in becomi
In 2005, we posed a challenge to award-winning designer Jeffrey Bernett to create a recliner that didn’t look like a recliner. Armed with experience designing ergonomic in-flight seating for Northwest
As daring as he is, Dutch designer Marcel Wanders never loses sight of sophistication and function, as evidenced in the Oval Pendant Light (1998). Dramatic in scale (nearly 3.5 feet long), the Oval pr
When Charles and Ray Eames designed the Eames Aluminum Group (1958), they created a revolution in seating that has lost none of its edge. The collection was originally developed as a special project f
Measuring more than a square foot, this stately pendant (1998) by Marcel Wanders is a versatile and affordable lighting solution for homes, offices and restaurants. Able to illuminate large dining and
The Fratelli Tominaga, designers of our Coco Chair, discovered the 40-year-old prototype for the Svedese Chair (pronounced svee-day-see) in the kitchen of a home in Udine, Italy. Still in fine conditi
When Marcel Wanders conceived of the idea to make a modern armchair by the simplest, most economical method, he went to a master upholsterer for direction. The result is the geometric but body-conscio
Designed in response to a furniture competition at the Arhus School of Architecture in Denmark in 1999, the Twilight Sleep Sofa ingeniously accomplishes what many conventional convertible sofas cannot
Josep Mora’s Egoa Task Chair (1991) uses the same comfort-driven ergonomics of the Egoa Armchair, but adds casters and height-adjustability to create lightly scaled office seating solution. An ingenio
Modern sofas often tout minimalist appeal, but few can also claim the comfort of Ted Boerner’s Theatre Collection (2001). The Sofa, Loveseat and Armchair are all designed to accommodate the human body