LC10 Square Low Table
Charles-douard Jeanneret, known as Le Corbusier, referred to a house as a “machine for living,” an industrial product that should include functional furniture or “equipment de l’habitation.” In this
LC6 Table – Colors
In 1929 at the Salon d-Autumne in Paris, Le Corbusier and his team of designers presented a revolutionary collection of furniture that stunned the city. Among the pieces was the ethereal yet bold LC6
LC7 Swivel Chair
Designed in 1928, the LC7 Swivel Chair evolved from one of a number of experiments, including an attempt to fashion a chair by wrapping inner tubes from tires around a steel frame. As the Le Corbusier
LC1 Sling Chair – Leather
Le Corbusier regarded traditional furnishings, with their structures hidden beneath wads of padding and upholstery, as relics of the past. With the studio’s LC1 Chair (1928), the Le Corbusier furnitur
LC2 Petit Modele Armchair- Black Leather
The Le Corbusier group referred to their LC2 and LC3 collections as “cushion baskets” which they designed in 1928 as a modernist response to the traditional club chair. With cushions held in place wit
LC4 Chaise Lounge- Cowhide
The LC4 Chaise Longue (1928), dubbed the “relaxing machine,” is a lounge that mirrors the body’s natural curves while appearing to float above its supports. A tubular bow-shaped frame holds a bed of f
LC10 Square Low Table
Charles-douard Jeanneret, known as Le Corbusier, referred to a house as a “machine for living,” an industrial product that should include functional furniture or “equipment de l’habitation.” In this
LC6 Table – Colors
In 1929 at the Salon d-Autumne in Paris, Le Corbusier and his team of designers presented a revolutionary collection of furniture that stunned the city. Among the pieces was the ethereal yet bold LC6
LC7 Swivel Chair
Designed in 1928, the LC7 Swivel Chair evolved from one of a number of experiments, including an attempt to fashion a chair by wrapping inner tubes from tires around a steel frame. As the Le Corbusier
LC1 Sling Chair – Leather
Le Corbusier regarded traditional furnishings, with their structures hidden beneath wads of padding and upholstery, as relics of the past. With the studio’s LC1 Chair (1928), the Le Corbusier furnitur