Tavola Glass Table
Versatility and value distinguish the Tavola Glass Table from other work surfaces. Expertly crafted by an established Italian manufacturer, the Tavola features a tempered, clear 3/8″ thick glass top s
The best wares, from the best online stores, updated hourly.
Versatility and value distinguish the Tavola Glass Table from other work surfaces. Expertly crafted by an established Italian manufacturer, the Tavola features a tempered, clear 3/8″ thick glass top s
When Charles and Ray Eames designed the Eames Aluminum Management Chair and Side Chair (1958), they created a revolution in seating that has lost none of its edge. These chairs were originally develop
Josep Mora’s Egoa Task Chair (1991) uses the same comfort-driven ergonomics of the Egoa Armchair, but adds casters and height-adjustability to create lightly scaled office seating solution. An ingenio
When Ray and Charles Eames designed the Eames Aluminum Side Chair (1958) they created a revolution in seating that has lost none of its edge. Moving away from their shell forms of the ’40s and explori
The initial appeal of the lightly scaled Egoa Armchair (1988) is a clean, finely drawn profile that suggests Le Corbusier’s “engineer’s aesthetic.” However, the chair’s ultimate success lies in comfor
Versatility and value distinguish the Tavola Glass Table from other work surfaces. Expertly crafted by an established Italian manufacturer, the Tavola features a tempered, clear 3/8″ thick glass top s
When Charles and Ray Eames designed the Eames Aluminum Management Chair and Side Chair (1958), they created a revolution in seating that has lost none of its edge. These chairs were originally develop
Josep Mora’s Egoa Task Chair (1991) uses the same comfort-driven ergonomics of the Egoa Armchair, but adds casters and height-adjustability to create lightly scaled office seating solution. An ingenio
When Ray and Charles Eames designed the Eames Aluminum Side Chair (1958) they created a revolution in seating that has lost none of its edge. Moving away from their shell forms of the ’40s and explori
The initial appeal of the lightly scaled Egoa Armchair (1988) is a clean, finely drawn profile that suggests Le Corbusier’s “engineer’s aesthetic.” However, the chair’s ultimate success lies in comfor