Swan Chair – Fame Fabric
Before the Swan Chair (1958), Arne Jacobsens architecture and designs were shaped by an assumption of materials natural ways of resisting. In other words, he could make them go only so far in becomi
B-Pop Barstool
The B-Pop Barstool (2006) has the exact same seat and back dimensions as Omar de Biaggio’s popular B-Pop Side Chair (2003). The result is a comfortable seat with a full-size back, which is sometimes d
B-Pop Side Chair – Laminate
Echoing the soft curves of mid-century modernism, Omar de Biaggios compact B-Pop Side Chair (2003) brings a sense of wit and impeccable styling to beech ply and stainless steel tubular seating. The c
PK22 Easy Chair – Wicker
Much of Poul Kjrholm’s furniture was intended for his own home, located north of Copenhagen and designed by his wife, architect Hanne Kjrholm. His PK22 Easy Chair (1957) was inspired by the light, e
Heritage Rocking Armchair – Brushed
Born out of a partnership between designer Philippe Starck and Emeco, the classic aluminum naval chair is transformed into a sleekly modern rocking chair. With an upright seat set atop a gently curved
Antica Counter Stool
The Antica Collection, with its rare blend of casual comfort and formalism, has been expanded to include the Antica Counter Stool (2002). Like the Antica chairs, these stools have thick, pillowed seat
Bottega Armchair
In early 2007, designers Renzo Fauciglietti and Graziella Bianchi expanded on the success of their Bottega Side Chair (2003) with the introduction of an Armchair and Stool. Both of the chairs are cons
Zero Table – 35.5 in
Jess Gasca’s Zero Table (1995) embodies the level of design, materials and craftsmanship of a modern classic. The softly beveled tabletop, available in a range of natural wood veneers, has an elegant
Antica Barstool
The Antica Collection, with its rare blend of casual comfort and formalism, has been expanded to include the Antica Barstool (2002). Like the Antica chairs, these stools have thick, pillowed seat cush
Swan Chair – Classic Leather
Before the Swan Chair (1958), Arne Jacobsen’s architecture and designs were shaped by an assumption of materials’ natural ways of resisting. In other words, he could make them go only so far in becomi