Bottega Chair
The Bottega Side Chair (2003) is uniquely constructed with a harmonic sheet steel back that flexes with the user for continuous support. Designers Renzo Fauciglietti and Graziella Bianchi then wrapped
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The Bottega Side Chair (2003) is uniquely constructed with a harmonic sheet steel back that flexes with the user for continuous support. Designers Renzo Fauciglietti and Graziella Bianchi then wrapped
A distinctive profile. A taut seat sling. Soft, thick cushions. In concert, they yield the Eames Soft Pad Chair. Handsome and versatile, the Soft Pad Chair may be used successfully in a variety of ho
In early 2007, designers Renzo Fauciglietti and Graziella Bianchi expanded on the success of their Bottega Side Chair (2003) with the introduction of an Armchair and Stool. Both of the chairs are cons
This inviting high-back lounge chair offers wonderful comfort with a firm, flexible seat and upholstered headrest. As an extension of the Eames aluminum group, the chairs design has its source in fur
In early 2007, designers Renzo Fauciglietti and Graziella Bianchi expanded on the success of their Bottega Side Chair (2003) with the introduction of an Armchair and Stool. The Bottega Stool swivels 3
A distinctive profile. A taut seat sling. Soft, thick cushions. In concert, they yield the Eames Soft Pad Chair (1969). Handsome and versatile, the Soft Pad Chair may be used in a variety of home and
This inviting high-back lounge chair offers wonderful comfort with a firm, flexible seat and upholstered headrest. As an extension of the Eames aluminum group, the chair’s design has its source in fu
When Ray and Charles Eames designed the Eames Aluminum Management Chair (1958), they created a revolution in task seating that has lost none of its edge. Designed to reflect the anatomy and dynamics
When Charles and Ray Eames designed the Eames Aluminum Management Chair and Side Chair (1958), they created a revolution in seating that has lost none of its edge. These chairs were originally develop
Our recent introduction of several items that express the depth and culture of modernism in Brazil, is broadened further with the Bienal Stool (2001), available for the first time in the U.S. and only