Eames Molded Plywood Lounge Chair, LCM
The Eames Molded Plywood Lounge Chair (1946) is instantly recognizable as the work of Charles and Ray Eames, with a form that relates directly to the human body and holds no secrets as to how it succe
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The Eames Molded Plywood Lounge Chair (1946) is instantly recognizable as the work of Charles and Ray Eames, with a form that relates directly to the human body and holds no secrets as to how it succe
A hallmark of Jess Gasca’s work is versatility, and his Atlas Collection (1992) is no exception. Available in a wide range of sizes, the Atlas Collection can serve as case goods, bedside tables, wor
In the mid-1940s, the Eameses began to design toys and furniture for children, including molded plywood animals, colorful building blocks and whimsical masks. This brightly colored hang-it-all holds j
When Charles and Ray Eames designed the Eames Aluminum Group (1958), they created a revolution in seating that has lost none of its edge. The collection was originally developed as a special project f
A distinctive profile. A taut seat sling. Soft, thick cushions. In concert, they yield the Eames Soft Pad Chair (1969). Handsome and versatile, the Soft Pad Chair may be used in a variety of home and
The Risom Lounge Chair (1941) by Danish designer Jens Risom is testament to the simplicity and ingenuity that is so often found in timeless modern designs. Widely known as the first chair to be design
Leave it to designer Philippe Starck to find inspiration in the furniture of Versailles when creating a chair for a Chinese restaurant in Paris. The Kong Barstool (2002) is hand crafted in Pennsylvani
One of the first modular workspace designs (following George Nelson’s pioneering Storagewall), the Eames Desk and Storage Units (1950) have a spirit and versatility that many designers struggle to ach
The Bertoia Asymmetric Chaise remained a prototypical form for 50 years, but in 2005 Knoll brought this masterpiece of mid-century experimental design into production. With his iconic seating col
Originally designed for Ian Schrager’s Hudson Hotel in New York City, the exuberant Hudson Collection (1999) combines the contemporary styling of Philippe Starck with Emeco’s classic 1944 naval-ready