The initial appeal of the lightly scaled Egoa Armchair (1988) is a clean, finely drawn profile that suggests Le Corbusier’s “engineer’s aesthetic.” However, the chair’s ultimate success lies in comfort-driven ergonomics. An ingeniously hinged seat and back move easily with the body, inviting users to adopt a dynamic sitting posture and allowing free range of movement. Every detail of the armchair has been carefully considered down to the glides that ensure stability and prevent the steel fram…read more